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AES/EBU: Real-time stereo digital audio signal format. Transfer between the corresponding devices. This format is an abbreviation of AudioEngineeringSociety/EuropeanBroadcastUnion. This digital format was also jointly developed by the two organizations. AES/EBU is output by balanced XLR port, and other aspects are similar to S/PDIF format.
Automatedmixing : Automatic mixing. The volume of each track, the position of the stereo image, or other parameters of each track such as the equalization (EQ) value and the music information are placed together. This information will control each track to complete the automatic mixing process during playback. Some recording programs enable automatic mixing through some editable multi-segment volume/audio envelopes on the screen. Another method is to use the mouse to drag the fader or knob on the display and record it. The volume/panel changes as the fader or knob changes during playback. In addition, the volume and sound image changes can also be automatically mixed by inputting the corresponding controller information into the sequencer.
Backup: backup. Although hard disk storage is considered to be a very reliable storage method, the data stored on the hard disk is likely to be inadvertently destroyed. In a PC-based recording system, backing up files from one hard drive to another is as simple as using WINDOWS's drag-copy. Other recorders can back up data to the two stereo tracks of the DAT. The backed up sound data can be recovered from the DAT tape when needed.
Crossfade: fade in/out technology. A technique especially used in pre-production. This technique allows a sound clip to transition smoothly to another sound clip. Some recorders require two tracks to complete the process, one track fades out the sound, and the other track fades the sound. Some only need one track to complete the process of one sound segment fade out while the other sound clip fades in. The control program will now generate a new file containing the mixed transitions of the two sound clips.
Many control programs also allow the user to choose the type of curve in which the first sound segment fades out and the second sound segment fades in. When the selected curve is an idempotent exponential curve, it can ensure that the overall volume does not change significantly during the fade in/out process, that is, the sound transition is more natural in hearing.
DSP: Digital signal processing, a process of processing an audio signal and causing a change in the audio signal. (CUT-Cropping, PASTE-Paste process is not a DSP process because the signal being cropped and pasted does not change.) On a high-speed computer, many DSP processing can perform real-time processing while playing, but some DSP processing requires a lot of CPU time, so it must be processed without stopping playback.
MTC: is an abbreviation for MIDITimeCode. It is adapted from the SMPTE time code and can be transmitted by MIDI cable (or between two software supporting MTC format on the computer). See SMPTE. Normalization: Fully. It is a type of DSP (Digital Signal Processing), which is to enlarge the amplitude of the sound signal waveform as much as possible without distortion, and to fully reflect the dynamic range of the sound in the computer audio system. Waveform sufficiency does not actually improve the signal-to-noise ratio of the already recorded sound signal, but it ensures that the output circuit's operating state is optimal during sound playback. Playlist: playlist. Sort the sound clips that will be played and specify the time at which they will start playing to form a complete song. Playlists cannot be edited like text files, but you can delete or add a sound clip using the playlist editing method.
Real-time stereo digital audio signal format. Transfer between the corresponding devices. This format is an abbreviation of AudioEngineeringSociety/EuropeanBroadcastUnion. This digital format was also jointly developed by the two organizations. AES/EBU is output by balanced XLR port, and other aspects are similar to S/PDIF format.
Automatedmixing : Automatic mixing. The volume of each track, the position of the stereo image, or other parameters of each track such as the equalization (EQ) value and the music information are placed together. This information will control each track to complete the automatic mixing process during playback. Some recording programs enable automatic mixing through some editable multi-segment volume/audio envelopes on the screen. Another method is to use the mouse to drag the fader or knob on the display and record it. The volume/panel changes as the fader or knob changes during playback. In addition, the volume and sound image changes can also be automatically mixed by inputting the corresponding controller information into the sequencer.
Backup: backup. Although hard disk storage is considered to be a very reliable storage method, the data stored on the hard disk is likely to be inadvertently destroyed. In a PC-based recording system, backing up files from one hard drive to another is as simple as using WINDOWS's drag-copy. Other recorders can back up data to the two stereo tracks of the DAT. The backed up sound data can be recovered from the DAT tape when needed.
Crossfade: fade in/out technology. A technique especially used in pre-production. This technique allows a sound clip to transition smoothly to another sound clip. Some recorders require two tracks to complete the process, one track fades out the sound, and the other track fades the sound. Some only need one track to complete the process of one sound segment fade out while the other sound clip fades in. The control program will now generate a new file containing the mixed transitions of the two sound clips.
Many control programs also allow the user to choose the type of curve in which the first sound segment fades out and the second sound segment fades in. When the selected curve is an idempotent exponential curve, it can ensure that the overall volume does not change significantly during the fade in/out process, that is, the sound transition is more natural in hearing.
DSP: Digital signal processing, a process of processing an audio signal and causing a change in the audio signal. (CUT-Cropping, PASTE-Paste process is not a DSP process because the signal being cropped and pasted does not change.) On a high-speed computer, many DSP processing can perform real-time processing while playing, but some DSP processing requires a lot of CPU time, so it must be processed without stopping playback.
MTC: is an abbreviation for MIDITimeCode. It is adapted from the SMPTE time code and can be transmitted by MIDI cable (or between two software supporting MTC format on the computer). See SMPTE. Normalization: Fully. It is a type of DSP (Digital Signal Processing), which is to enlarge the amplitude of the sound signal waveform as much as possible without distortion, and to fully reflect the dynamic range of the sound in the computer audio system. Waveform sufficiency does not actually improve the signal-to-noise ratio of the already recorded sound signal, but it ensures that the output circuit's operating state is optimal during sound playback. Playlist: playlist. Sort the sound clips that will be played and specify the time at which they will start playing to form a complete song. Playlists cannot be edited like text files, but you can delete or add a sound clip using the playlist editing method.
Real-time stereo digital audio signal format. Transfer between the corresponding devices. This format is an abbreviation of AudioEngineeringSociety/EuropeanBroadcastUnion. This digital format was also jointly developed by the two organizations. AES/EBU is output by balanced XLR port, and other aspects are similar to S/PDIF format.
Automatedmixing : Automatic mixing. The volume of each track, the position of the stereo image, or other parameters of each track such as the equalization (EQ) value and the music information are placed together. This information will control each track to complete the automatic mixing process during playback. Some recording programs enable automatic mixing through some editable multi-segment volume/audio envelopes on the screen. Another method is to use the mouse to drag the fader or knob on the display and record it. The volume/panel changes as the fader or knob changes during playback. In addition, the volume and sound image changes can also be automatically mixed by inputting the corresponding controller information into the sequencer.
Backup: backup. Although hard disk storage is considered to be a very reliable storage method, the data stored on the hard disk is likely to be inadvertently destroyed. In a PC-based recording system, backing up files from one hard drive to another is as simple as using WINDOWS's drag-copy. Other recorders can back up data to the two stereo tracks of the DAT. The backed up sound data can be recovered from the DAT tape when needed.
Crossfade: fade in/out technology. A technique especially used in pre-production. This technique allows a sound clip to transition smoothly to another sound clip. Some recorders require two tracks to complete the process, one track fades out the sound, and the other track fades the sound. Some only need one track to complete the process of one sound segment fade out while the other sound clip fades in. The control program will now generate a new file containing the mixed transitions of the two sound clips.
Many control programs also allow the user to choose the type of curve in which the first sound segment fades out and the second sound segment fades in. When the selected curve is an idempotent exponential curve, it can ensure that the overall volume does not change significantly during the fade in/out process, that is, the sound transition is more natural in hearing.
DSP: Digital signal processing, a process of processing an audio signal and causing a change in the audio signal. (CUT-Cropping, PASTE-Paste process is not a DSP process because the signal being cropped and pasted does not change.) On a high-speed computer, many DSP processing can perform real-time processing while playing, but some DSP processing requires a lot of CPU time, so it must be processed without stopping playback.
MTC: is an abbreviation for MIDITimeCode. It is adapted from the SMPTE time code and can be transmitted by MIDI cable (or between two software supporting MTC format on the computer). See SMPTE. Normalization: Fully. It is a type of DSP (Digital Signal Processing), which is to enlarge the amplitude of the sound signal waveform as much as possible without distortion, and to fully reflect the dynamic range of the sound in the computer audio system. Waveform sufficiency does not actually improve the signal-to-noise ratio of the already recorded sound signal, but it ensures that the output circuit's operating state is optimal during sound playback. Playlist: playlist. Sort the sound clips that will be played and specify the time at which they will start playing to form a complete song. Playlists cannot be edited like text files, but you can delete or add a sound clip using the playlist editing method.
AES/EBU: Real-time stereo digital audio signal format. Transfer between the corresponding devices. This format is an abbreviation of AudioEngineeringSociety/EuropeanBroadcastUnion. This digital format was also jointly developed by the two organizations. AES/EBU is output by balanced XLR port, and other aspects are similar to S/PDIF format.
Automatedmixing : Automatic mixing. The volume of each track, the position of the stereo image, or other parameters of each track such as the equalization (EQ) value and the music information are placed together. This information will control each track to complete the automatic mixing process during playback. Some recording programs enable automatic mixing through some editable multi-segment volume/audio envelopes on the screen. Another method is to use the mouse to drag the fader or knob on the display and record it. The volume/panel changes as the fader or knob changes during playback. In addition, the volume and sound image changes can also be automatically mixed by inputting the corresponding controller information into the sequencer.
Backup: backup. Although hard disk storage is considered to be a very reliable storage method, the data stored on the hard disk is likely to be inadvertently destroyed. In a PC-based recording system, backing up files from one hard drive to another is as simple as using WINDOWS's drag-copy. Other recorders can back up data to the two stereo tracks of the DAT. The backed up sound data can be recovered from the DAT tape when needed.
Crossfade: fade in/out technology. A technique especially used in pre-production. This technique allows a sound clip to transition smoothly to another sound clip. Some recorders require two tracks to complete the process, one track fades out the sound, and the other track fades the sound. Some only need one track to complete the process of one sound segment fade out while the other sound clip fades in. The control program will now generate a new file containing the mixed transitions of the two sound clips.
Many control programs also allow the user to choose the type of curve in which the first sound segment fades out and the second sound segment fades in. When the selected curve is an idempotent exponential curve, it can ensure that the overall volume does not change significantly during the fade in/out process, that is, the sound transition is more natural in hearing.
DSP: Digital signal processing, a process of processing an audio signal and causing a change in the audio signal. (CUT-Cropping, PASTE-Paste process is not a DSP process because the signal being cropped and pasted does not change.) On a high-speed computer, many DSP processing can perform real-time processing while playing, but some DSP processing requires a lot of CPU time, so it must be processed without stopping playback.
MTC: is an abbreviation for MIDITimeCode. It is adapted from the SMPTE time code and can be transmitted by MIDI cable (or between two software supporting MTC format on the computer). See SMPTE. Normalization: Fully. It is a type of DSP (Digital Signal Processing), which is to enlarge the amplitude of the sound signal waveform as much as possible without distortion, and to fully reflect the dynamic range of the sound in the computer audio system. Waveform sufficiency does not actually improve the signal-to-noise ratio of the already recorded sound signal, but it ensures that the output circuit's operating state is optimal during sound playback. Playlist: playlist. Sort the sound clips that will be played and specify the time at which they will start playing to form a complete song. Playlists cannot be edited like text files, but you can delete or add a sound clip using the playlist editing method.
Real-time stereo digital audio signal format. Transfer between the corresponding devices. This format is an abbreviation of AudioEngineeringSociety/EuropeanBroadcastUnion. This digital format was also jointly developed by the two organizations. AES/EBU is output by balanced XLR port, and other aspects are similar to S/PDIF format.
Automatedmixing : Automatic mixing. The volume of each track, the position of the stereo image, or other parameters of each track such as the equalization (EQ) value and the music information are placed together. This information will control each track to complete the automatic mixing process during playback. Some recording programs enable automatic mixing through some editable multi-segment volume/audio envelopes on the screen. Another method is to use the mouse to drag the fader or knob on the display and record it. The volume/panel changes as the fader or knob changes during playback. In addition, the volume and sound image changes can also be automatically mixed by inputting the corresponding controller information into the sequencer.
Backup: backup. Although hard disk storage is considered to be a very reliable storage method, the data stored on the hard disk is likely to be inadvertently destroyed. In a PC-based recording system, backing up files from one hard drive to another is as simple as using WINDOWS's drag-copy. Other recorders can back up data to the two stereo tracks of the DAT. The backed up sound data can be recovered from the DAT tape when needed.
Crossfade: fade in/out technology. A technique especially used in pre-production. This technique allows a sound clip to transition smoothly to another sound clip. Some recorders require two tracks to complete the process, one track fades out the sound, and the other track fades the sound. Some only need one track to complete the process of one sound segment fade out while the other sound clip fades in. The control program will now generate a new file containing the mixed transitions of the two sound clips.
Many control programs also allow the user to choose the type of curve in which the first sound segment fades out and the second sound segment fades in. When the selected curve is an idempotent exponential curve, it can ensure that the overall volume does not change significantly during the fade in/out process, that is, the sound transition is more natural in hearing.
DSP: Digital signal processing, a process of processing an audio signal and causing a change in the audio signal. (CUT-Cropping, PASTE-Paste process is not a DSP process because the signal being cropped and pasted does not change.) On a high-speed computer, many DSP processing can perform real-time processing while playing, but some DSP processing requires a lot of CPU time, so it must be processed without stopping playback.
MTC: is an abbreviation for MIDITimeCode. It is adapted from the SMPTE time code and can be transmitted by MIDI cable (or between two software supporting MTC format on the computer). See SMPTE. Normalization: Fully. It is a type of DSP (Digital Signal Processing), which is to enlarge the amplitude of the sound signal waveform as much as possible without distortion, and to fully reflect the dynamic range of the sound in the computer audio system. Waveform sufficiency does not actually improve the signal-to-noise ratio of the already recorded sound signal, but it ensures that the output circuit's operating state is optimal during sound playback. Playlist: playlist. Sort the sound clips that will be played and specify the time at which they will start playing to form a complete song. Playlists cannot be edited like text files, but you can delete or add a sound clip using the playlist editing method.
Real-time stereo digital audio signal format. Transfer between the corresponding devices. This format is an abbreviation of AudioEngineeringSociety/EuropeanBroadcastUnion. This digital format was also jointly developed by the two organizations. AES/EBU is output by balanced XLR port, and other aspects are similar to S/PDIF format.
Automatedmixing : Automatic mixing. The volume of each track, the position of the stereo image, or other parameters of each track such as the equalization (EQ) value and the music information are placed together. This information will control each track to complete the automatic mixing process during playback. Some recording programs enable automatic mixing through some editable multi-segment volume/audio envelopes on the screen. Another method is to use the mouse to drag the fader or knob on the display and record it. The volume/panel changes as the fader or knob changes during playback. In addition, the volume and sound image changes can also be automatically mixed by inputting the corresponding controller information into the sequencer.
Backup: backup. Although hard disk storage is considered to be a very reliable storage method, the data stored on the hard disk is likely to be inadvertently destroyed. In a PC-based recording system, backing up files from one hard drive to another is as simple as using WINDOWS's drag-copy. Other recorders can back up data to the two stereo tracks of the DAT. The backed up sound data can be recovered from the DAT tape when needed.
Crossfade: fade in/out technology. A technique especially used in pre-production. This technique allows a sound clip to transition smoothly to another sound clip. Some recorders require two tracks to complete the process, one track fades out the sound, and the other track fades the sound. Some only need one track to complete the process of one sound segment fade out while the other sound clip fades in. The control program will now generate a new file containing the mixed transitions of the two sound clips.
Many control programs also allow the user to choose the type of curve in which the first sound segment fades out and the second sound segment fades in. When the selected curve is an idempotent exponential curve, it can ensure that the overall volume does not change significantly during the fade in/out process, that is, the sound transition is more natural in hearing.
DSP: Digital signal processing, a process of processing an audio signal and causing a change in the audio signal. (CUT-Cropping, PASTE-Paste process is not a DSP process because the signal being cropped and pasted does not change.) On a high-speed computer, many DSP processing can perform real-time processing while playing, but some DSP processing requires a lot of CPU time, so it must be processed without stopping playback.
MTC: is an abbreviation for MIDITimeCode. It is adapted from the SMPTE time code and can be transmitted by MIDI cable (or between two software supporting MTC format on the computer). See SMPTE. Normalization: Fully. It is a type of DSP (Digital Signal Processing), which is to enlarge the amplitude of the sound signal waveform as much as possible without distortion, and to fully reflect the dynamic range of the sound in the computer audio system. Waveform sufficiency does not actually improve the signal-to-noise ratio of the already recorded sound signal, but it ensures that the output circuit's operating state is optimal during sound playback. Playlist: playlist. Sort the sound clips that will be played and specify the time at which they will start playing to form a complete song. Playlists cannot be edited like text files, but you can delete or add a sound clip using the playlist editing method.
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